Vicky & Cristina's Barcelona Adventure From Woody Allen
Woody Allen's latest film Vicky Cristina Barcelona is a sex comedy in the vein of Arthur Schnitzler's fin-de-siecle Viennese comedies set in one of the world's most beautiful and exciting cities in my experience, Barcelona in northeastern Spain's Catalonia region. http://www.vickycristina-movie.com/
Two college friends, Cristina the adventurous girl and Vicky the serious girl go to Barcelona to stay with a relative of Vicky's while she completes a master's thesis in Catalan identity. Vicky is played by Rebecca Hall and Cristina is played by Scarlett Johansson, who has now appeared in a number of Woody Allen's movies.
They encounter a handsome and aggressive artist, Juan Antonio, played by Javier Bardem who suggests an excursion to Oviedo to sightsee, drink wine and make love. He has a complicated past with an ex-wife, Marielena, who stabbed him. She is played by the very sexy Penelope Cruz.
Various couplings and revelations ensue, including what must be the first PG-13 threesome.
There are some really unbelievable aspects of this movie. Vicky is supposed to be a graduate student doing a master's thesis on Catalan identity but she doesn't know Spanish. This is absurd. How could she do the research?
Cristina enters not just a threesome as a sexual adventure but a relationship with Juan Antonio and Marielena. This couldn't work. She is always going to be an outsider as the two Spaniards have a history together that she can never fully share. Moreover, she is a foreigner who doesn't know Spanish and has no reason to be there.
Vicky's fiancee is not treated as an ogre as is so commonplace in such movies, however, she cuts him no slack. He suggests something spontaneous and romantic but she doesn't even recognize it as such.
Like Match Point, this movie shows that not setting his movie in New York City has been good for Woody Allen's creativity.
However, that said this is an interesting exploration of sex, love and relationships facing the college educated without clear goals in the modern era. Barcelona is one of the best characters Besides, it is fun and well-acted. Don't miss it. -30-
Tags: Barcelona , Woody Allen , Penelope Cruz , Javier Bardem , Scarlett Johansson , Rebecca Hall
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Comments
Good review. A couple of thoughts: Your point about Vicky's inability to speak Spanish is well-taken. She does suggest that she _reads_ Spanish well, so it's not implausible for her to have done the kind of academic work described in the film. I recall from my college days a number of graduate students in the modern languages departments who were terrifically smart but not actively/orally fluent in the language of their chosen culture. I think that's a function of how legendarily bad we Americans are at learning to speak foreign languages, even after we spend years studying them (mea culpa!). That said, I tend to agree that, given Vicky's particular subject, it seems unlikely she wouldn't have at least some active fluency in Spanish and/or Catalan, because how could one meaningfully study something as fundamental as Catalan identity without being able to interact with the natives in the language that is absolutely central to their cultural and political identity, particularly given the attempts to stifle the use of Catalan under Franco and other regimes? Furthermore, in addition to not speaking the language, you don't get much of a sense that Vicky knows/understands much about Catalan culture generally, with the exception of her professed admiration of Gaudi's architecture. So why not turn her into an architecture student? Or art history? That way, you'd have the contrast between the prim/proper art history academic and her friend, the tempestuous artist. Who knows -- maybe it was a way for Allen to poke fun at American intellectuals who not only don't speak foreign languages after they study them but also have only the most superficial understanding of cultures they profess expertise about. I disagree with you about Vicky's fiance. He isn't an ogre, precisely, but he is portrayed (rather heavy-handedly) as a prototypical bourgeois stiff who you couldn't imagine anyone going back to happily after being seduced by Javier Bardem's character. And what you perceived as his romantic spontaneity I saw as evidence (along with his many phone calls to Vicky) of his unattractive neediness. Some of the professional critics took Allen to task for creating such a cartoonishly dweebish counterpoint to Bardem's Mediterranean sensuality, and I can't say I disagree with them.
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