“Picture Me” has garnered praise at film festivals including the five-city Gen Art Festival. It started as a film project by Ziff’s former boyfriend Ole Schell. Together the two compiled hours of footage spanning five years: scenes of fashion shows and rehearsals, model interviews, backstage antics and parties, The Observer reports in a profile of Ziff.
The film begins on a high note, showing the happier moments of Ziff’s career, but begins to reveal a more controversial side through Ziff’s and other models’ accounts of sexual harassment and abuse. The film also scrutinizes the industry’s rigorous schedule. It shows an exhausted Ziff “begging to be allowed a day off … haggard and tearful, her skin spotty, her hair dragged back and greasy.”
In the trailer, available on The Observer Web site, Ziff says, “You become used to just having this superficial attention all the time.” Another model adds: “How could you put a 14-year-old in a sexy dress and tell her to be sexy when she’s probably never had sex?” Others sound off about the “high turnover rate” of models. Agencies are continually looking for the “new hot girl” and clients can take advantage of it by paying a cheaper “new girl rate.”
Ziff says age may be more central to the matter than most people think. “Girls that are 14, 15 and 16 can be naturally thin in the way that a 30-year-old woman can’t be. Certainly there might be cases of [anorexia], but most of the time it’s not that they aren’t anorexic, it’s that they’re extremely young.”
To Ziff, the heart of the matter is the “Peter Pan syndrome” in the industry, which refuses to let women age. She told The Daily Beast she is still grateful for her experiences: “Fashion is all image and perception, and I think being framed by others gives you a greater sensitivity to doing the framing yourself.” Ziff adds that she believes a union might be one solution for what ails the industry.
As retoucher Melissa Spector explained to Current TV last year, “Every advertisement you see is retouched…in advertising you have to sell the product…who’s going to buy all these magazines if the celebrities look awful?” Spector then went to a newsstand and analyzed magazine covers, speculating that actress Keira Knightley’s eyebrows, lips, legs, nose and skin had all been altered. Spector emphasized that people “shouldn’t put it on themselves to also look like [celebrities and models]…that’s not reality…what they’re seeing is not what is real.”
Since that video aired, before-and-after retouches have started surfacing on the Internet with great frequency. Some victims, such as Kim Kardashian, have come out in defense of their curves. Kardashian declared on her blog in March, “So what: I have a little cellulite … What curvy girl doesn’t?!" the New York Daily News reported.
In April, French Elle responded similarly, running a cover called “Stars Sans Fards” (“Stars Without Makeup”) to promote natural beauty. Actress Monica Bellucci and model Eva Herzegovina appeared unretouched on alternate covers, and the magazine’s pages included natural photos of actress Charlotte Rampling and others.
Actress Jamie Lee Curtis beat Elle to the punch in 2002 when she posed for the cover of More magazine with “[n]o lighting, nothing. Just me. No makeup. No styling. No hair. No clothing,” as she described it to CBS News. Concerned with the amount of retouching magazines like More tend to do, Curtis brought a candid attitude to the shoot, even though she said she admitted to struggling with how her body has changed since her youth.